About
Spin Audio
In 2001, Spin Audio was set-up with the intention of delivering high quality audio equipment and engineering services to the music industry. Since then, our engineers have worked with artists such as Uriah Heep, Emilie Sande, Steve Harley, Adam Ant and Cradle of Filth. With a passion for any audio reinforcement project, Spin Audio prides itself with a huge diversity of projects from extreme metal to musical theatre.
Sound design & Engineering credits include:
BATS, BAOS, Limelight, Twyford, Perins and BatsNG Productions of: (2018) Priscilla, The Addams Family, Singing in the Rain, Les Misérables School edition, (2017) Fiddler on the Roof, Footloose, Avenue Q School edition, Spamalot, (2016) The Full Monty, Legally Blonde, (2015) Grease, Sister Act, Hairspray, (2014) Jesus Christ Superstar, Cats, (2013) Little shop of Horrors, Rent, (2012) Pirates of Penzance, (2011) Our House, South Pacific, (2010) Beauty and the Beast, (2009) Hairspray, (2008) The Music Man, (2008) Oklahoma
Steve Harley, King King, Nik Kershaw, Graham Gouldman, Caravan, Opeth, Anathema, The Sensational 60’s Experience (inc. Herman’s Hermits), Uriah Heep, John Newman, Steve Harley & Cockney Rebel + Orchestra of the Swan and Chamber Choir, Keziah Jones, From The Jam, Cradle of Filth, Who’s Bad, Penn and Teller, The Cavern Beatles, Showaddywaddy, Sweet, The Rubettes, The Animals, Rumours of Fleetwood Mac, Solid Gold 60’s (Bobby Vee, Brian Hyland, Little Eva), Emeli Sandé, Abba Gold, Hot Chocolate, Buddy Whittington, Tanita Tikaram, Dr John, Adam Ant, Girls Aloud, Johnny Winter, Michael Schenker
